Interview with Paul Gautrey

The Glitterati emerged onto the UK music scene in 2005 with their self-titled album and singles chart success. Characterised by energetic live shows, the early days were filled with the joys every young band dreams of, from recording with a legendary producer to being signed to one of the world’s biggest labels and touring America, but industry politics brought an untimely end to the band. We caught up with the former singer, Paul Gautrey, to discuss the past and the future.
Let’s start with the Glitterati if you don’t mind. That band felt unique in its honesty, both in the songs you released and in the way you spoke candidly in interviews and on stage. Members of that band said publicly that they weren’t too into modern music and that there wasn’t much decent guitar-based rock hitting the airwaves, at least in the UK. That resonated with me because I felt the same way, with bands like the Killers and Kings of Leon not filling the void. Is that still something you feel or do you think the scene has changed in the past few years? And did the Glitterati deliberately set out to try to change that and bring some excitement back into music?
We were always ourselves in interviews and onstage, sometimes we probably said too much but it made good entertainment. We didn’t set out to fill a void for anyone but ourselves, because like you said there wasn’t really much great rock music around, there weren’t any bands breaking through we loved. It seemed that people treated rock music like some ironic joke, in London especially; all hip kids throwing air guitar and rock horns became cool, [but] we probably benefitted from this too as we got signed for a shitload of money and were all over magazines like the NME, but we never wanted any part of that.
I first heard of the band on the New Kings of Rock N Roll show that aired in the late hours. You were featured on that before your debut album was released, can you tell us how that came about?
Yeah, it was a week of gigs that were broadcast on channel 4 [and] it was supposed to feature all the bands who were getting touted by the press and radio as the best new bands, some were already big and some were up and coming like us. The show we actually played was us supporting The Vines but when it went out on channel 4 they showed us and Jet, I’m not sure why, maybe because we had the same label as Jet, but I kind of wanted to show us with The Vines. I really liked them at the time but they were pretty shambolic live the night we played with them so I thought it would make us look better, ha ha!
Can you talk a bit about the early days after you moved to London and started to get noticed; did success feel to you as rapid as it appeared to the public? You’ve said previously that when you didn’t have a manager you were courted by the labels and getting free meals out of them. Did that require any effort on your part or did it just happen from your reputation as a live band?
It was rapid from the time we all moved to London as we were getting offers from all over the place within a few months, but me, John and Bill had been in bands in Leeds together for a few years before the Glitterati, Nic had already had one record deal in another band, we really were just like “Fuck it, we aren’t getting anywhere in Leeds so let’s move to london where the streets are paved with gold.” I’ve no idea what we would have done if it hadn’t happened, and luckily it happened quickly as we probably couldn’t have afforded to stay for more than a few months, we were living on one pound a day each for food.
How did you live on a pound a day?
It wasn’t a rule, we didn’t give anyone a hard time if they splashed out £2 on a burger and chips, but we were broke and had to be careful as we didn’t want to be on the next Megabus back to Leeds within a few weeks. We also had the regular nights at the posh restaurants courtesy of the labels and managers, besides Costcutter noodles were only about 15p a pack……..we ate a lot of Costcutter noodles, ha ha!
We didnt have a reputation as a live band as we hadnt played even a single gig together, we just had a demo we did at Nic’s house with our mate, we only gave it to one person – Paul Harris – who at the time worked for B-unique records and he played it to someone else, they played it to someone else and it snowballed. We were meeting all these massive labels and managers within weeks, we would bring them all to where we rehearsed and play them 3 or 4 songs live but we hadn’t played a gig together. We didn’t plan anything but everything fell into place like a dream, we signed to Universal Publishing not long after and they helped set us up with even more managers and labels, we did an indie single on Alan McGee’s Poptones label, he wanted to sign us but we ended up going with Atlantic who won us over with nights at Stringfellows and a record deal worth stupid amounts of money. We were pretty wealthy for a while, but that soon changed once we started doing things like paying £35,000 to do one album launch gig and other daft things, but we definitely had fun.
You recorded the debut album in LA with Mike Clink and I understand that there was talk of the band relocating there. Is there any truth to that and what made you choose to stay in the UK?
Yes we considered moving there, this was between the first and the second album, we weren’t on Atlantic anymore and were looking for a new label. We had just toured over there off our own backs and we were getting quite a lot of interest and people were loving us,especially in LA.
Whilst out there we signed a management deal with a big company and it looked like it was all going to happen for us  like it did here; it was almost identical to when we moved to London, kind of like we were in the right place at the right time.
I wanted us to just pack up and move, things were obviously better for us there than here, some of us wanted to go but other guys just didn’t want to.
It was never spoken about at the time, the reasons for not going were usually to do with money, visas etc, but by this time the guys had their own houses and were in long-term relationships, things they didn’t want to or couldn’t just give up. I can understand that now, but I really think if we had moved at that point we would have done really well out there. Looking back, two guys left the band not long after so i can understand why they didn’t want to up sticks and move to LA if they were thinking of leaving, but yeah we came back to London [and] things eventually fizzled out with the manager with us being here and them there and I think we missed a great oppurtunity but who knows, maybe it just wasn’t meant to be.
In interviews both you and John stated that the Glitterati was one of those bands that if something could go wrong, it would go wrong. Yet at the same time, you seemed to have enough luck or momentum to make quite an impact – having chart success with your singles before being snapped up by Atlantic, getting a TV slot before you had released an album, and touring with some big bands like the Wildhearts. You even opened in Wembley. Was the bad luck down to any turmoil within the band, or did it just feel like fate was against you?
We always felt like we had bad luck at the time, I’m sure a lot of bands do, it’s why most bands can all see Spinal Tap in themselves.We always had the ability to laugh at it, and when i look back we had a lot of good luck too.
The main thing was probably not luck but timing, we moved to London at the right time, the industry were looking for a band like us, [so were] the labels and the press. This allowed us to sign a huge deal and live out all our dreams, it was the best time of my life and I’m grateful for that.
We also had bad timing, there was a year between us signing with Atlantic and releasing our album; a lot had changed in 12 months, there was a backlash against The Darkness in the music press, and us being a rock band on the same label we were kind of lumped in with all that, and also a lot changed at Atlantic.
It had been a year since they signed us and a LOT can change at a major label in a year. By the time the album was released a lot of our supporters at the label had left and we were always fighting an uphill battle there once the album came out. The same person who sat us down a year earlier and told us we should sign with them because they were a label who were interested in longevity and great albums and not just having hit singles blah blah blah told us they were going to get rid of us if our next single, which was only our third for them, didn’t go top 10 in the charts, and that was the day we set off on a 35-date headline tour – our biggest yet – so that was a tough time. Great way to run a label, sign a band for a huge amount of money, have no idea what to do with them once they’ve signed and give them 3 singles to have a top 10 hit, you really couldn’t make some of it up but that’s pretty much the standard blueprint for major labels, or it was then, now you don’t even get the fun part of blowing loads of money but the rest is still pretty much the same.
I think for fans the band’s break-up felt as sudden as how quickly you emerged – you released ‘Fight Fight Fight’ as a single, released the album, and were waiting to embark on a headline tour but instead broke up. On the New Kings of Rock N Roll show you stated that a lot of bands don’t give it the time to get successful and break up too early. Do you felt that the band broke up prematurely, that it would have been easier to continue with the Glitterati than start from the ground up again in a new band, or was it the only real option?
We really tried to make it work,we tried everything,we had such high hopes for the second album. We funded the recording, got a great producer in Matt Hyde, we shopped it round labels ourselves, at times it was soul destroying and there were probably times where we all thought about splitting up, but we managed to hold it together and eventually signed to Demolition, who released the second album.
The plan was lots of touring to promote the album, both here and Europe where we had never really toured, but the touring never happened, through no fault of ours. We had a co-headline tour that fell through at the last minute as the other band’s agent felt they should headline all the shows. I won’t mention the other band but to be honest it was laughable that either they or their agent suggested that, so the day we were going to announce it we were off that tour, we were told not to worry as we were guaranteed the european tour with the New York Dolls. That fell through too.
So we were now left with an album that had been out months and nothing had been done to promote it, if we had good management at this point we could maybe have salvaged it but doing it ourselves and just coming up against brick walls everywhere eventually just ground us down and I don’t think any of us had the energy to fight for it anymore. John actually left the band a month or two before we split, we thought about finding a new guitarist but I think we all knew the band had naturally come to an end. It’s sad to me even now talking about it as it was a great band that should have done more, but I’ve nothing but amazing memories, I got to be in a band with my best mates and we were my favourite band, I had the time of my life, and everything has to end some time.
Were the hard times with the labels what inspired songs like Overnight Superstar?
Yes it is, a lot of that second album was about things that happened with the label and stuff. Lyrically it’s an angrier record than the first, the first album is about 5 mates having the time of their lives and being slightly naive and wide eyed to everything that was happening, and the second is more about dealing with the aftermath of that, trying to keep things together – friendships, relationships, the band – and basically wondering what the fuck happened to us and what do we do next. Regardless of the fact we didn’t get to give it anywhere near the promotion it deserved I’m still proud we at least got that second album out there, as the two albums pretty much tell our whole story, the good times and the bad. It nearly killed us getting it out there but at least we managed it in the end.
Two of the original members quit before the second album was recorded, how did that affect things?
When Nic and Jamie left the band it was really tough, it sounds silly and probably is but it really is like someone walking out of a marriage as it’s such a big part of everyones life. When they left it was tough,we had begun talking with Matt Hyde about producing the album and stuff, and [were] just about to set off on a UK headline tour so we were all pretty optimistic, so it was a bit out of the blue.
We were rehearsing for tour and Jamie rang and told us he was leaving the band, but would do the rehearsals and tour, which was actually pretty brave as he could have just left us in the lurch. The rehearsals were a bit tense but we got through that tour the best we could, I think the tour went pretty well, we were all laughing and joking about him ditching us and stuff, definitely gallows humour. It was really sad on that last gig in the dressing room, we had all been through so much, we were like a gang and this was the first chink in the armour. I’m pretty sure we all tried to be super manly about it and make out like it wasn’t a big deal and stuff but it was a sad time.
We were all determined to carry on, but Nic had been pretty quiet the whole tour, I just thought it was because him and Jamie were the closest so he didn’t really want to talk about replacements or anything, but I remember near the end of the tour getting the feeling Nic was about to jump ship too. I dont know if he and Jamie had both talked about leaving and decided between them not to both do it at the same time for the good of the tour, but a day or so after the tour ended Nic called me and said he was leaving too, so we were down to a 3 piece.
It was a tough time,when you are so into something, and it’s your life you can’t understand why someone else feels differently and would walk away from it, but they had their reasons and did what was best for them, it just wasn’t their whole life anymore and they wanted to do something else.
We went on to get Baz in and Gaff as replacements and getting new guys in definitely lifted the morale. They hadn’t been through the shit we had and had enthusiasm and excitement for everything, which was just what we needed at that point. Making the second album was so much fun, getting a second record deal was exciting too and we had some great times with the new line up, it’s just a shame we couldn’t have had a few more.
All of us have moved on to different things now but we will always be connected through the amazing times we had. It was a great time in all our lives, and I’m glad I got to share it with my mates because at the end of the day we were just mates doing the things we had always dreamed of doing.
I gather that you’re putting together, or have put together, a new band now. How’s that progressing, and is it anyone people may have heard of?
Yes i have, I’ve been working on it for a while, for a lot of reasons it’s taken longer than I imagined, but it’s really starting to come together now. I’m really enjoying it and I’m excited for people to hear it. I’m taking my time, I don’t feel under any pressure, I just want to make the kind of music I want to hear and hope other people like it too.
What can we expect from the new band sound-wise, and when can we expect to see you playing on the live circuit again?
It won’t sound like the Glitterati, I just don’t see the point, and I wouldn’t want to be in another band with a similair style as we may as well have just carried on. I’ve had the chance to join a few and it would have been the easier and maybe the more accepted thing to do, but I need to do something different,and right now if I was playing that kind of music my heart wouldn’t be in it, so like I said I’m just doing what i love first and foremost and hope lots of other people like it. If they don’t, I’ll live, ha ha!
If I’m honest, as much as I still love bands like GNR and New York Dolls it’s not something I really listen to much these days. Don’t get me wrong, I love those bands but it doesn’t influence my songwriting anymore. I’ve always been really into 50s rock n roll and I’m really into a lot of old blues stuff. The new band has elements of that, it’s kind of dirty, bluesy, vintagey rock n roll.
When the Glitterati disbanded, did you ever feel like throwing in the towel on music and trying something else, or is this all you’re compelled to do?
No I’ll never stop making music. I didn’t want to be in a band for a while after the Glitterati, that’s why it’s taken so long. I started the new thing on my own, I was just writing songs [and] I didn’t know if it would be a band. I thought I’d just get mates who are musicians to help me record whenever I needed to but as it went along I started wanting a more permanent thing again, I missed the laughs you have as a band and I missed having people to make music with.
Going off-topic, you’ve said before that you think Appetite for Destruction is the best rock album ever made – and millions would agree with you. The hot topic right now is Guns N’ Roses being inducted into the Rock N Roll Hall of Fame next month, as a fan what’s your opinion on that, and do you think they will, or should, put their differences aside to play on the night?
I still think it is, I have a lot of people who I know who are quite close to the band members so I hear a lot of different stories and different opinions. My personal opinion is I’d love to see them put their differences aside, it would be amazing for the fans, [but] I’m not sure if they ever will. The bad feeling between Axl and Slash obviously runs deep, it would take a lot of egos being left at the door and there are some massive massive egos involved. I hope it happens one day, but I think time’s almost up on them doing it and it still being cool – I dont want to see them up there at 70………….actually I probably would still want to see it, but I dont want it to be a train wreck.

N9 Apps #2: Firefox

By and large, a browser is a browser. Especially when it comes to mobile phones; some are better in that they display Flash content, others allow you to view pages as you would on your computer rather than a mobile version, and the N900’s stood apart by featuring a fully-fledged cursor that allowed the user to interact with drop-down menus. The difficulty isn’t so much in using a browser on a phone, but given the amount of time many people spend on their home computers we all have a list of favourite websites and the problem is remembering what they are to access on a phone.

The beauty of Firefox for the N9 (and indeed Android) is that it syncs beautifully with your Firefox profile on your computer, giving you immediate and full access to open tabs, history and bookmarks. Book a train ticket on your computer, leave the tab open and when you get to the station you can have the reference number and other information at your fingertips by opening the same tab.

On the N9, Firefox loads quickly and is responsive to use. Coupled with the plugin from the Nokia Store, it also allows users to view Flash content, so you can watch the videos on the BBC website for example, instead of being greeted by the notorious grey box informing you that you can’t see it, as happens on so many devices.

For standard browsing, there’s little benefit to be had from choosing Firefox over the default browser. However, if you want to have easy access to your computer’s browsing information wherever you go and keep your browsing habits synced, and view anything you want on your phone, then it’s a definite must-have for any N9 user.

Chloe Moretz Lands the Job of Carrie in Adaptation

With Hollywood still insisting on remakes rather than search for original ideas, Stephen King’s Carrie is the latest in the firing line to be set for another shot at the box office and young Chloe Moretz is set to play the lead role with Kim Peirce taking the part of director.

The 1974 original was a big success, earning Sissy Spacek (Carrie) and Piper Laurie (her mother) Oscar nominations, and the cast included John Travolta, William Katt and Amy Irving. For those unfamiliar with the book or film, the story focuses on Carrie, a shy girl bullied at school and raised by an overbearing, detached-from-reality religious nut of a mother, and the film contained one of the most iconic and famous endings of all time.

Moretz, known for roles in 500 Days of Summer, Let Me In and Kick-Ass, was apparently sought after by the studio and is fast becoming one of the most popular young actresses around. Aside from previous successes, she has just completed Scorsese’s Hugo and stars alongside Johnny Depp in the upcoming Dark Shadows.

While Moretz herself isn’t really a cause for concern – she has proved herself to be a talented and versatile actress – the real issue on the minds of critics is whether a remake is necessary and whether it will be any good. Unlike many of Stephen King’s film adaptations, Carrie was an excellent film, with a script that kept true to the book (unlike The Shining) and stellar performances from all the cast. More importantly, for a film made in 1974 it has stood the test of time – indeed, of all of King’s story adaptations, many are crying out for a decent version, with It and the Tommyknockers among them. Despite its success and cult status, The Shining could also benefit from being redone and staying true to the original story. Carrie seemed of all the films to be among the ones that didn’t need a remake, but perhaps those in command suspected it would be the biggest hit. Maybe they’re right.

 

 

 

“The Scientific Scandal of Antismoking”

An interesting article appeared on my Facebook feed yesterday, courtesy of Dave Atherton. The original was composed by two professors and makes for interesting reading. It was written at Sign of the Times and can be found here, but it is also reproduced in full below.

Science is not always a neutral, disinterested search for knowledge, although it may often seem that way to the outsider. Sometimes the story can be very different.

Smoking and health have been the subject of argument since tobacco was introduced to Europe in the sixteenth century. King James I was a pioneer antismoker. In 1604 he declared that smoking was “a custome lothsome to the eye, hatefull to the Nose, harmefull to the braine, dangerous to the Lungs, and in the blacke stinking fume thereof, neerest resembling the horrible Stigian smoke of the pit that is bottomelesse.” But like many a politician since, he decided that taxing tobacco was a more sensible option than banning it.

By the end of the century general opinion had changed. The Royal College of Physicians of London promoted smoking for its benefits to health and advised which brands were best. Smoking was compulsory in schools. An Eton schoolboy later recalled that “he was never whipped so much in his life as he was one morning for not smoking”. As recently as 1942 Price’s textbook of medicine recommended smoking to relieve asthma.

These strong opinions for and against smoking were not supported by much evidence either way until 1950 when Richard Doll and Bradford Hill showed that smokers seemed more likely to develop lung cancer. A campaign was begun to limit smoking. But Sir Ronald Fisher, arguably the greatest statistician of the 20th century, had noticed a bizarre anomaly in their results. Doll and Hill had asked their subjects if they inhaled. Fisher showed that men who inhaled were significantly less likely to develop lung cancer than non-inhalers. As Fisher said, “even equality would be a fair knock-out for the theory that smoke in the lung causes cancer.”

Doll and Hill decided to follow their preliminary work with a much larger and protracted study. British doctors were asked to take part as subjects. 40.000 volunteered and 20,000 refused. The relative health of smokers, nonsmokers and particularly ex-smokers would be compared over the course of future years. In this trial smokers would no longer be asked whether they inhaled, in spite of the earlier result. Fisher commented: “I suppose the subject of inhaling had become distasteful to the research workers, and they just wanted to hear as little about inhaling as possible”. And: “Should not these workers have let the world know not only that they had discovered the cause of lung cancer (cigarettes) but also that they had discovered the means of its prevention (inhaling cigarette smoke)? How had the MRC [Medical Research Council] the heart to withhold this information from the thousands who would otherwise die of lung cancer?”

Five year’s later, in 1964, Doll and Hill responded to this damning criticism. They did not explain why they had withdrawn the question about inhaling. Instead they complained that Fisher had not examined their more recent results but they agreed their results were mystifying. Fisher had died 2 years earlier and could not reply.

This refusal to consider conflicting evidence is the negation of the scientific method. It has been the hallmark of fifty years of antismoking propaganda and what with good reason may well be described as one of the greatest scandals in 500 years of modern science.

A typical example of such deception appeared in the same year from the American Surgeon General. This was “Smoking and Health”,

the first of many reports on smoking and health to be produced by his office over the next 40 years. It declared that in the Doll and Hill study “…no difference in the proportion of smokers inhaling was found among male and female cases and controls.” Fisher had shown this was not so. Fisher’s assessment and criticism of the Doll and Hill results is not mentioned, not even to be rejected. Unwelcome results are not merely considered and rejected. They cease to exist.

The work of Doll and Hill was continued and followed up over the next 50 years. They reintroduced the question about inhaling. Their results continued to show the inhaling/noninhaling paradox. In spite of this defect their work was to become the keystone of the modern anti-smoking movement: Defects count for nothing if they are never considered by those who are appointed to assess the evidence.

But their work had a far more serious and crippling disability.

From its inception the British doctors study was known to have a critical weakness. Its subjects were not selected randomly by the investigators but had decided for themselves to be smokers, nonsmokers or ex-smokers. The kind of error that can result from such non-random selection was well demonstrated during the 1948 US presidential election. Opinion polls showed that Dewey would win by a landslide from Truman. Yet Truman won. He was famously photographed holding a newspaper with a headline declaring Dewey the winner. The pollsters had got it wrong by doing a telephone poll which at that time would have targeted the wealthier voters. The majority of telephone owners may have supported Dewey but those without telephones had not. A true sample of the population had not been obtained.

The new Doll and Hill study was subject to a similar error. Smokers who became ex-smokers might have done so because they were ill and hoped quitting would improve them. Alternatively, they might quit because they were exceptionally healthy and hoped to remain so. Quitting could appear either harmful or beneficial. To avoid this source of error another project, the Whitehall study, was begun.

In 1968 fourteen hundred British civil servants, all smokers, were divided into two similar groups. Half were encouraged and counselled to quit smoking. These formed the test group. The others, the control group, were left to their own devices. For ten years both groups were monitored with respect to their health and smoking status.

Such a study is known as a randomised controlled intervention trial. It has become increasingly the benchmark, or as it is often referred to, the “gold standard” of medical investigation. Any week you can open The Lancet or British Medical Journal and you will likely find an example of such a trial to determine the benefits or harm of some new therapy. Such trials are fundamentally different to that of Doll and Hill. This is ironic because Hill had published the influential and much-reprinted textbook Principles of Medical Statistics where he considers the relative merits of controlled and uncontrolled trials. His praise is reserved for the former. Of the latter he is particularly critical: Such work uses “second-best” or “inferior” methods. “The same objections must be made to the contrasting in a trial of volunteers for a treatment with those who do not volunteer, or in everyday life between those who accept and those who refuse. There can be no knowledge that such groups are comparable; and the onus lies wholly, it may justly be maintained, upon the experimenter to prove that they are comparable, before his results can be accepted.” This criticism by Hill can accurately be applied to the Doll and Hill study. According to Hill’s own criteria, his work with Doll can only be described as second-rate, inferior work. It would be for others to conduct properly controlled trials.

So what were the results of the Whitehall study? They were contrary to all expectation. The quit group showed no improvement in life expectancy. Nor was there any change in the death rates due to heart disease, lung cancer, or any other cause with one exception: certain other cancers were more than twice as common in the quit group. Later, after twenty years there was still no benefit in life expectancy for the quit group.

Over the next decade the results of other similar trials appeared. It had been argued that if an improvement in one life-style factor, smoking, were of benefit, then an improvement in several – eg smoking, diet and exercise – should produce even clearer benefits. And so appeared the results of the whimsically acronymed Multiple Risk Factor Intervention Trial or MRFIT, with its 12,886 American subjects. Similarly, in Europe 60,881 subjects in four countries took part in the WHO Collaborative Trial. In Sweden the Goteborg study had 30,022 subjects. These were enormously expensive, wide-spread and time-consuming experiments. In all, there were 6 such trials with a total of over a hundred thousand subjects each engaged for an average of 7.4 years, a grand total of nearly 800,000 subject-years. The results of all were uniform, forthright and unequivocal: giving up smoking, even when fortified by improved diet and exercise, produced no increase in life expectancy. Nor was there any change in the death rate for heart disease or for cancer. A decade of expensive and protracted research had produced a quite unexpected result.

During this same period, in America, the Surgeon General had been issuing a number of publications about smoking and health. In 1982, before the final results of the Whitehall study had been published, the then Surgeon General C. Everett Koop had praised the study for “pointing up the positive consequences of smoking in a positive manner”. But now for nearly ten years he fell silent on the subject and there was no further mention of the Whitehall study nor of the other six studies, though thousands of pages on the dangers of smoking issued from his office. For example in 1989 there appeared “Reducing the Health Consequences of Smoking: 25 Years of Progress”. This weighty work is long on advice about the benefits of giving up smoking but short on discussion of the very studies which should allow the evaluation of that advice: you will look in vain through the thousand references to scientific papers for any mention of the Whitehall study or most of the other six quit studies. Only the MRFIT study is mentioned, and then falsely:

“The MRFIT study shows that smoking status and number of cigarettes smoked per day have remained powerful predictors for total mortality and the development of CHD [coronary heart disease], stroke, cancer, and COPD [chronic obstructive pulmonary disease]. In the study population, there were an estimated 2,249 (29 percent) excess deaths due to smoking, of which 35 percent were from CHD and 21 percent from lung cancer. The nonsmoker-former smoker group had 30 percent fewer total cancers than the smoking group over the 6-year follow up.”

This was untrue, as the Surgeon General was later to admit.

What the MRFIT authors themselves had to say about their work was quite different:

“In conclusion we have shown that it is possible to apply an intensive long-term intervention program against three coronary risk factors with considerable success in terms of risk factor changes. The overall results do not show a beneficial effect on CHD or total mortality from this multifactor intervention.” (Multiple Risk Factor Intervention Trial Research Group, 1982)

But in 1990 the Surgeon General published The Health Benefits of Smoking Cessation and at last the subject was addressed. The Whitehall study was rejected because of its “small size”. A once praiseworthy study had become blameworthy. The MRFIT results were described, this time truthfully: “there was no difference in total mortality between the special intervention [quit] and usual care groups.” This and the other studies were rejected because the combined change in other factors – eg diet and exercise – made it impossible to apportion benefit due to smoking alone. This is absurd and illogical reasoning. If, say, a 10% improvement in life expectancy had been found then it might indeed be difficult if not impossible to say how much was due to smoking alone. But there was no improvement. There was nothing to apportion. Nevertheless, with such deceptive words the Surgeon General turned to an unpublished, unreviewed, un-controlled, non-intervention, non-randomised survey conducted for the American Cancer Society (“American Cancer Society: Unpublished tabulations”). The gold standard of modern science was rejected and replaced by the debased currency of what is by comparison little better than opinion and gossip.

This rejection of consistent results from controlled trials and the acceptance of far inferior data would not be countenanced in any other area of medical science. Anyone who suggested doing so would be met with howls of derision and questions as to their intelligence if not their sanity. But where smoking and health are being considered this debasement of science is commonplace and passes without comment.

In Australia in the same year there appeared a similar publication “The Quantification of Drug Caused (sic) Mortality and Morbidity in Australia” from the Federal Department of Community Services and Health. Its authors waste no time in discussing intervention trials. These receive not a mention, not even to be rejected. Instead the authors turned to several surveys of the kind ultimately used by the Surgeon General. In particular they used yet another study conducted for the American Cancer Society by E.C.Hammond, a gigantic study of a million subjects, another uncontrolled, non-intervention, non-randomised survey. This was a particularly bad choice. The dangers of very large surveys are well known to statisticians: because of their size it is difficult to do them accurately. The flaws in Hammond’s work were revealed when the initial results were published in 1954. Hammond himself was later to admit that his study had not been conducted as he had intended and as a consequence his results are to an unknown extent erroneous. But it was worse than that. His work became literally a textbook example of how not to do research. It can be found as example 287 in Statistics A New Approach by W.A.Wallis and H.V.Roberts. This was the ignominious and undignified fate of work which should only be quoted as a salutary example of the pitfalls which can await the researcher.

Two problems bedevil both Hammond’s work and other similar studies.

First, some of the volunteers who enrolled their subjects told Hammond that contrary to his instructions they had selectively targeted ill smokers. These results he was able to scrap but necessarily an unknown proportion of his final results must be suspect. Second, as was demonstrated at the time, his subjects were quite unrepresentative of the general public in a number of respects. In particular, there were relatively few smokers. It seems quite plausible that many healthy if indignant smokers would refuse to take part in his trial and this would produce such an aberration. These two vitiating defects are of the kind which have led to the widespread preference for gold standard trials.

But the continuation of Hammond’s work, with its demonstrated faulty methodology, was used by the Australian authors to deduce that smoking causes premature death to the extent of 17,800 per year in Australia. Their conclusions should be compared with the results of a survey by the Australian Statistician in 1991 of 22,200 households, chosen at random. This showed “long term conditions”, including cancer and heart disease, to be more common in non-smokers than smokers.

Even if they had used sound data to calculate deaths caused by smoking, this still would not have shown that smoking is overall harmful or causes an excess of deaths. Antibiotics kill some susceptible, allergic individuals but this fact does not show that antibiotics reduce life expectancy. If the data used by these authors is examined more closely it can in fact be shown that the mean age at death from smoking-related causes (eg lung cancer) is about 1 year greater than from nonsmoking-related causes (eg tetanus). See here for details. This result does not necessarily show that smokers live longer than nonsmokers: smokers as well as nonsmokers die from both nonsmoking-related causes and smoking-related causes. But it is certainly not evidence for the belief that smoking reduces life expectancy.

During all this time health authorities have repeatedly and persistently lied to the public. Consider just one of innumerable examples. In June 1988, in Western Australia the Health Department in full page advertisements in local papers declared: “The statistics are frightening. Smoking will kill almost 700 women in Western Australia this year. If present trends continue, lung cancer will soon overtake breast cancer as the most common malignant cancer in women”. What was frightening was not the statistics but the fact that a Health Department should lie about them. In 1987 the same Health Department in its own publications had said: “Suggestions by some commentators that lung cancer deaths in women will overtake breast cancer deaths in the next few years look increasingly unlikely…female lung cancer death rates have fallen for the last 2 years.” It was predicted that breast cancer would far outweigh lung cancer for the next 14 years. What the public were told was not just an untruth but the reverse of the truth. This is classic Orwellian Newspeak. The public are given what George Orwell in 1984 named “prolefeed” – lies. Orwell must have smiled wryly in his grave.

Above all has been the repeated and world-wide directive that smokers should quit and live longer when every controlled trial without exception has demonstrated this claim to be false.

Is there anything that can be said with certainty about the health and life expectancy of smokers and non-smokers? The evidence indicates little difference. One important fact often causes confusion: an agent can be a certain cause of death and yet have the effect of extending life. Smoking could be a major cause of lung cancer or even the only cause yet also be associated with long life. The Japanese are amongst the heaviest smokers in the world. They also live the longest. The Frenchwoman Jeanne Calment smoked for a hundred years before dying at 122 as the world’s oldest ever person.

The resolution of this paradox lies in the simple fact that most agents have both good and bad effects on health and life expectancy and it is the net result which is of primary importance. This simple but crucial fact is often ignored or forgotten by medical researchers. Coffee causes pancreatic cancer says the newspaper article. Perhaps it does, but if it has a bigger and beneficial effect on heart disease then those who drink coffee may well live longer than those who don’t. Hormone replacement therapy may increase the incidence of certain cancers yet still have overall a beneficial effect. (See “The Contrapuntists” below).

It may now be apparent why there is such a general belief that smoking is dangerously harmful. There are 3 reasons. First, studies which in any other area of science would be rejected as second-rate and inferior but which support antismoking are accepted as first-rate. Second, studies which are conducted according to orthodox and rigorous design but which do not support the idea that smoking is harmful are not merely ignored but suppressed. Third, authorities who are duty-bound to represent the truth have failed to do so and have presented not just untruths but the reverse of the truth.

It may be argued that this is news about an old and settled subject. And who cares about smoking anyway. But smoking is really a secondary issue. The primary issue is the integrity of science. This has no use-by date. When the processes of science are misused, even if for what seems a good reason, science and its practitioners are alike degraded.

The ContrapuntistsA Parable

By P.D. Finch

In a few years time an accidental by-product of genetic engineering leads to the discovery that certain living vibrating crystals can be manufactured very cheaply. When encased in a suitable holder and inserted in the ear one can hear, just for a few minutes, until body heat kills the crystal, beautiful melodies, rhythms and fascinating counterpoint. They are marketed as aural contrapuntive devices. Since they are cheap and become very popular, the Government taxes them. Users of the device become known as contrapuntists.

Some years later a new disease is identified when an increasing number of people drop dead, suddenly, for no apparent reason. Autopsies reveal a strange deterioration in the brain cells of those affected. An observant pathologist notes that in most of the associated post-mortem examinations an aural contrapuntive device was found in an ear of the deceased and the disease becomes known as SADS, an acronym for Sudden Aural Death Syndrome. Epidemiologists find that people who are not contrapuntists seldom fall victim to SADS and that, in fact, about 98 per cent of all such deaths are either current or former contrapuntists. The strength of association between aural contrapuntism and SADS is undeniable, the relative risk is as high as 50, i.e. a contrapuntist has about 50 times the chance of falling to SADS as does a non-contrapuntist.

An anti-contrapuntist health campaign is initiated and aural contrapuntive devices are taxed more and more heavily in an attempt to dissuade people from using them. The campaign is very successful and is vigorously supported by an unexpected alliance between animal liberationists, the music industry and the tone-deaf. Attention then shifts to passive aural contrapuntism, viz. the dangers posed by the sidestream melodic overflow from the devices in the ears of contrapuntists, in particular on the occurrence of SADS in non-contrapuntal spouses of contrapuntal men, the harm contrapuntal parents may do their children and the possible ill-effects suffered by the foetus of a contrapuntal pregnant woman.

After great initial success, however, the campaign falters when it becomes widely known that even though aural contrapuntism is so strongly associated with SADS, relatively few contrapuntists die from it each year and those that do have lived, on average, about one year longer than do non-contrapuntists and, moreover, at each age, are much more likely to die of other causes than of SADS itself. Politicians realise very quickly that they can now, with a clear conscience and with profit, tax aural contrapuntal devices even more heavily.

Link

2 Keynes, G (1978), The Life of William Harvey, Oxford,

3 Lyte, H.C.M. (1899), A History of Eton College (1440-1898), Macmillan

4 Price, F.W. (ed.) (1942), A Textbook of the Practice of Medicine, 6th edition, Oxford University Press

5 Doll, R. and Hill, A.B. (1950), “Smoking and carcinoma of the lung”, British Medical Journal, ii pp739-48

6 Fisher, R.A. (1959) “Smoking: The Cancer Controversy”, Oliver and Boyd

7 Doll, R. and Hill, A.B. (1954), “The mortality of doctors in relation to their smoking habits”, British Medical Journal, i pp1451-5

8 Doll, R. and Hill, A.B. (1964), “Mortality in relation to smoking: ten years’ observations of British doctors”, British Medical Journal, i pp1460-7

9 Surgeon General (1964), “Smoking and Health” Link

10 Rose, G. and P.J.S. Hamilton (1978), ‘A randomised controlled trial of the effect on middle-aged men of advice to stop smoking’, Journal of Epidemiology and Community Health, 32, pages 275-281.

11 Hill, A.B.(1971, 9th ed.) “Principles of Medical Statistics”, The Lancet

12 Rose, G., P.J.S. Hamilton, L. Colwell and M.J. Shipley (1982), ‘A randomised controlled trial of anti-smoking advice: 10-year results’, Journal of Epidemiology and Community Health, 36, pages 102-108

13 Multiple Risk Factor Intervention Trial Research Group (1982), ‘Multiple risk factor intervention trial: risk factor changes and mortality results’, Journal of the American Medical Association, 248, pages 1465-1477.

14 WHO European Collaborative Group (1986), ‘European collaborative trial of multifactorial prevention of coronary heart disease: final report on the 6-year results’, Lancet, 1, pages 869-872.

15 Wilhelmsen, L., G. Berglund, E. Elmfeldt, G. Tibblin, H. Wedel, K. Pennert, A. Vedin, C. Wilhelmsson and L. Werks (1986), ‘The multifactor primary prevention trial in Goteborg’, European Heart Journal, 7, pages 279-288.

16 Miettinen, T.A., J.K. Huttunen, V. Naukkarinen, T. Strandberg, S. Mattila, T. Kumlin and S. Sarna (1985), ‘Multifactorial primary prevention of cardiovascular diseases in middle-aged men: risk-factor changes, incidence and mortality’, Journal of the American Medical Association, 254, pages 2097-2102.

17 Puska, P., J. Tuomilehto, J. Salonen, L. NeittaanmSki, J. Maki, J. Virtamo, A. Nissinen, K. Koskela and T. Takalo (1979), ‘Changes in coronary risk factors during comprehensive five-year community programme to control cardiovascular diseases (North Karelia project), British Medical Journal, 2, pages 1173-1178.

18 Leren, P., E.M. Askenvold, O.P. Foss, A. Fr¨ili, D. Grymyr, A. Helgeland, I. Hjermann, I. Holme, P.G. Lund-Larsen and K.R. Norum (1975), ‘The Oslo study. Cardiovascular disease in middle-aged and young Oslo men’, Acta Medica Scandinavica [Suppl.], 588, pages 1-38.

19 Surgeon General (1982) The Health Consequences of Smoking – Cancer: A Report of the Surgeon General.

20 Surgeon General (1989) Reducing the Health Consequences of Smoking: 25 Years of Progress: A Report of the Surgeon General: Executive Summary and Full Report

21 Surgeon General (1990) The Health Benefits of Smoking Cessation: A Report of the Surgeon General

22 Commonwealth Department of Community Services and Health, Canberra (1988) “The Quantification of Drug Caused Morbidity and Mortality in Australia”.

23 Wallis, W.A. and Roberts, H.V. (1962) “Statistics: A New Approach”, Methuen and Co. Ltd. Link

24 Australian Bureau of Statistics: Smokers are less likely to have cancer, heart disease 1, Australian Bureau of Statistics, No 4382.0, “1989-90 National Health Survey: Smoking”, Link

25 Australian Bureau of Statistics: Smokers are less likely to have cancer, heart disease 2, Link

26 Two messages from the Western Australian Health Department, Subiaco Post, 28 June 1988: 12 Hatton, W.M. (1987), Cancer Projections: Projections of numbers of incident cancers in Western Australia to the Year 2001, Perth: Epidemiology Branch, Health Department of Western Australia.

Hatton, W.M. and M.D. Clarke-Hundley (1987), Cancer in Western Australia: an analysis of age and sex specific rates, Perth: Health Department of Western Australia.

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N9 Apps #1: Inception

I’m as much of a fan as Nokia adopting Windows Phone as the next person. It’s intuitive, easy to use and all information is there at your fingertips. But as a former N900 owner, there’s something to be said about the fun that can be had on an open-source platform with community support. When Flash wasn’t updated on the N900, a community workaround was released to allow new videos to be watched in the browser. When Nokia didn’t introduce portrait mode to the tablet, the community did it. That level of support and development kept the platform fresh and exciting, and with the N9 also being an open Linux platform the fun continues with MeeGo.

Nokia has lent me an N9 to trial and while it’s in my possession I will be doing app reviews, and the first one will be looking at an app that embodies the community spirit and the power of an open-source platform: Inception.

The thread at talk.maemo.org describes Inception thusly:

The Nokia N9 is an amazing piece of hardware running an amazing mobile OS. However, advanced users have often been frustrated by its sometimes-limiting Aegis security system. Aegis, like many other security frameworks, blocks many legitimate tasks beyond truly dangerous activity, and makes it difficult to customize your N9 to run on your terms.

This problem is one of the past: INCEPTION allows you to assume direct control and liberate your Nokia N9’s full potential.

INCEPTION is:

  • Easy. INCEPTION allows you to open up your N9 in less than five minutes, with no need for a PC.
  • Safe. INCEPTION makes no major changes to your N9 on its own – it merely unlocks the door so that you can use your own discretion. INCEPTION can be uninstalled at any time with no side effects.
  • Effective. With INCEPTION, the only limits on what you can do with your N9 are your own. INCEPTION turns the N9 into what could be the most powerful and open handheld device on the market.

INCEPTION doesn’t disable or remove Aegis by itself – it just puts you in the driver’s seat.

In other words, Inception allows developers to create apps and modifications, and users to install said apps and modifications, that take full advantage of having open access to the N9.

While iOS and Windows Phone can’t dream of such a capability, and Android still masquerades as being open-source, the MeeGo community has stepped forward to show its true potential.

Order Pizza…From a Fridge Magnet

If you thought being able to order a Domino’s pizza online or through an app was an impressive new way to get food, then Red Tomato Pizza‘s idea will floor you. Forget your computer or your smartphone, because this company lets you order your favourite pizza by simply pushing a button. On a magnet.

Unfortunately this is something only residents of Dubai can enjoy, but we may see the invention make its way to Europe in the future. The user creates an account online and says their favourite pizza, which is then linked to the account (and presumably can be changed whenever you decide you’re bored of a particular pizza). The magnet syncs, through Bluetooth, to the user’s smartphone, and when the magnet (shaped like a pizza box) is pressed, the pizza is ordered. A text message is received shortly after as confirmation, and accidental presses can be cancelled by sending a quick SMS to the company.

To help raise awareness of its new marvel, Red Tomato Pizza has released two videos. One of which is a straightforward informational advert to explain how it all works. The other, more entertaining one, can be seen below: